Final Image |
That I ever attempted this transformation still makes me shiver. My problem, the opportunity of a great shot denied me by a stubbornly short wall to carry that dramatic shadow cast by a right placed remote slave. At first I asked the model (Thiago Drewry) to place himself lower than the steps, but still the wall was too low (bloody city developers!) and I’d lose the diagonal lead in of those steps.
Anyway, I sat on the shot for a couple months and then over a Christmas break when I had more time, I thought I'd expand my limited photoshop skills and see what I could achieve.
The objective to continue the wall and replicate the shadow.
Starter Image |
The objective to continue the wall and replicate the shadow.
Brick by brick, step by step |
Now the final brick in the wall wasn’t a brick at all, but the shadow. Technically, not all that difficult - I selected the upper part of the model, copied and pasted that into a new layer then turned it to black, however the real work began in joining the fake shadow to the real shadow. As before, there was no point attempting this if you could see the joins. In tailoring, after all, the whole point of invisible mending is that it is invisible.
Location
People often want to know where I took the shot. The answer is a surprisingly uninspiring location. It's the walkway that leads up to St.Paul's Cathedral on the south side. There you'll find 'the wall'.
More shots from this shoot:
Location
People often want to know where I took the shot. The answer is a surprisingly uninspiring location. It's the walkway that leads up to St.Paul's Cathedral on the south side. There you'll find 'the wall'.
Peter's Hill |
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